Feature Film / Television / Branding — at Picturemill

Building the shots
that don't look built.

Compositing and VFX supervision for feature film, episodic television, and commercial work. Every shot is planned to hold up on the big screen and finish on schedule.

Recent Work

Selected shots

View the full reel →

Before / After

Two breakdowns

Static Bloom

Energy effects — plate + full CG bloom, Nuke & Houdini

Static Bloom raw plate with tracking markers
Static Bloom final composite
Plate Comp

Deep Water Bureau

Underwater tank plate + full CG submersible, Nuke & Houdini

Deep Water Bureau raw plate with tracking markers
Deep Water Bureau final composite
Plate Comp

Notes

From the timeline

Process

Tracking markers that don't ruin the shot

A short field guide to marker placement, spacing, and color that saves the roto team a week later.

On set

What a VFX supervisor actually watches for

Lens data, plate coverage, and the three questions worth asking before the crew moves on.

Craft

Why some invisible effects take longer than the big ones

Notes on the shots nobody notices, and why that's the point.

Skills & Talents

Fifteen years across comp, previs, and on-set supervision — still happiest inside a script node.

🎬
Match-move & tracking
3DEqualizer, PFTrack
🧩
Compositing
Nuke, After Effects
🖌
Roto & paint
Silhouette, Mocha
🌪
FX simulation
Houdini
🎨
Look development
Color grading, LUTs
🛠
On-set supervision
Data wrangling, HDRIs, witness cams